Over the Christmas holiday, I'm giving away the Kindle version of my novel, 'Beside an Open Window' for free on Amazon. The offer runs from Monday 22 December to Boxing Day, Friday 26 December.
Click here to go to the web page for the novel, where you will find links to your 'local' Amazon website. Of course, the easiest way to get hold of the novel is direct from your kindle itself.
'Beside an Open Window' imagines an ultra realistic Second Life of the future, in which the brain scans of people who have died in real life are uploaded to avatars so that they can continue to interact with the living. The story follows Jason Harlan, a popular singer in real life who wakes up in the digital afterlife to find that he's been dead for thirty years and his personal fortune has been claimed by another copy of himself.
I hope you enjoy the book if you download it - and consider giving me a review at Amazon (every review helps, even if it's just a single line). I'll be updating in the new year on my latest novel, 'AFK and Avengement'. In the meantime, if you celebrate Christmas, have a peaceful and happy one.
Showing posts with label Beside an Open Window. Show all posts
Showing posts with label Beside an Open Window. Show all posts
Monday, 22 December 2014
Wednesday, 17 December 2014
Black Mirror: White Christmas
Speaking of digital entities, Channel 4 last night screened the latest episode of Charlie Brooker's 'Black Mirror', an anthology of dark dramas which Brooker has described as having the purpose of "actively unsettling people" about the future. "White Christmas" weaves together three separate tales of near-future technology, tying them up brilliantly at the end through the use of brain scanning as a plot device.
Brain scanning is the central theme running through my novel Beside an Open Window, and it was fascinating to see the thought given to the consequences of this idea by Brooker - which include using a digital scan of your brain to organise your life, the use of an avatar body in virtual settings for scans, the incarceration of scans and speeding up time for scans so that they experience enormous stretches of time in just a few seconds. There are plenty more ideas explored besides, perhaps most notably the concept of blocking/muting someone in real life.
It was one of the best written and certainly the most imaginative pieces of TV I've seen all year. If you live in the UK, you have a month to watch it on demand here. If you're elsewhere, watch out for this on your networks.
Brain scanning is the central theme running through my novel Beside an Open Window, and it was fascinating to see the thought given to the consequences of this idea by Brooker - which include using a digital scan of your brain to organise your life, the use of an avatar body in virtual settings for scans, the incarceration of scans and speeding up time for scans so that they experience enormous stretches of time in just a few seconds. There are plenty more ideas explored besides, perhaps most notably the concept of blocking/muting someone in real life.
It was one of the best written and certainly the most imaginative pieces of TV I've seen all year. If you live in the UK, you have a month to watch it on demand here. If you're elsewhere, watch out for this on your networks.
Tuesday, 16 December 2014
Worm emulation
In Beside an Open Window, I portray a future in which human brains are scanned and uploaded to a virtual world once the 'original' human has died. Whilst such technology might be a long way off, it's not inconceivable that this could be done one day. Of course, it might be the case when this happens that human brain scans get uploaded to robots (as explored by Janet Asimov) rather than virtual worlds; I chose the latter because I presumed it would be cheaper.
The OpenWorm project has for a while now been working towards a the complete emulation of Caenorhabditis elegans, a microscopic roundworm consisting of about a thousand cells - 300 of which are neurons. I won't attempt to pick apart the science here - there are plenty of articles about the project to be found - but feast your eyes on the video below, which shows a Lego robot being controlled by the current emulated model of the worm's brain.
Take a moment to consider what this video represents. A living creature has had its brain - all of its neurons and their interconnections - recreated in software and connected to a few sensory inputs and motor outputs. The robot has not been 'programmed' in any way: the responses you are seeing are those of an actual 'mind' which has been separated from the hardware of its brain. It is one of the most awesome and somehow terrifying things I have seen this year.
The OpenWorm project has for a while now been working towards a the complete emulation of Caenorhabditis elegans, a microscopic roundworm consisting of about a thousand cells - 300 of which are neurons. I won't attempt to pick apart the science here - there are plenty of articles about the project to be found - but feast your eyes on the video below, which shows a Lego robot being controlled by the current emulated model of the worm's brain.
Take a moment to consider what this video represents. A living creature has had its brain - all of its neurons and their interconnections - recreated in software and connected to a few sensory inputs and motor outputs. The robot has not been 'programmed' in any way: the responses you are seeing are those of an actual 'mind' which has been separated from the hardware of its brain. It is one of the most awesome and somehow terrifying things I have seen this year.
Sunday, 27 April 2014
Beside an Open Window: Listen to the first chapter
There's a little under two days to go before the free offer for the Kindle version of Beside an Open Window runs out. If you haven't yet got yourself a copy, go to this page for links to the book in your local Amazon.
In the meantime, I've had a go at recording a reading of the first chapter and uploaded it to Soundcloud. It's not the studio quality I'd hoped for from my Samson C1OU condeser microphone (if anyone has any tips on how to improve it, I'd be glad to hear them) but hopefully it should be enjoyable to the people who, over the years in Second Life, have told me they like the sound of my voice!
Saturday, 26 April 2014
Beside an Open Window (2014) by Huckleberry H. Hax
In a thought-provoking portrait of a future in which the digital dead work and play alongside the living, 'Beside an Open Window' probes the nature of consciousness, of the sensory word we inhabit and the nature of human relationships.
Available formats:
| Print: | Paperback (319 Pages): £8.99 | |
Due to the way that Amazon operates in different countries, it's best if you obtain your copy of 'AFK, Again' from your 'local' Amazon website.
| UK: amazon.co.uk | USA: amazon.com | France: amazon.fr | Spain: amazon.es |
| Canada: amazon.ca | Germany: amazon.de | Italy: amazon.it | Japan: amazon.co.jp |
Independent authors don't have large advertising budgets; feedback and ratings, therefore, are the most effective way to show that their work is being purchased and enjoyed. If you have enjoyed this novel, please consider leaving a rating or review at Amazon or whichever other service you obtained it from. It will take you five minutes and cost you nothing, but will help me enormously. Thank you :)
Monday, 21 April 2014
Beside an Open Window: download it for free
I will be launching the Kindle version of 'Beside an Open Window', my latest novel, on Saturday 26 April. The book will cost $2.99 to purchase, however for the first three days I will be offering it for free.
Please be aware: I will be uploading the book to Amazon this evening and it usually takes about 12 hours for approval; you might well, therefore, see the book appear over the next few days (ie, before Saturday). The three day free copy offer, however, will only start from the moment I publish the official page for the book on this blog (some time on Saturday morning UK time). I will also then post a reminder about the offer on Facebook, Google+ and Twitter.
If you take advantage of this offer - and I really hope that you do - please please please consider leaving a rating and mini review (a sentence is all that's required) at Amazon once you've read it.
Please be aware: I will be uploading the book to Amazon this evening and it usually takes about 12 hours for approval; you might well, therefore, see the book appear over the next few days (ie, before Saturday). The three day free copy offer, however, will only start from the moment I publish the official page for the book on this blog (some time on Saturday morning UK time). I will also then post a reminder about the offer on Facebook, Google+ and Twitter.
If you take advantage of this offer - and I really hope that you do - please please please consider leaving a rating and mini review (a sentence is all that's required) at Amazon once you've read it.
Thursday, 17 April 2014
Beside an Open Window: Cover art
After a great deal of Photoshopping, the cover design of 'Beside an Open Window' is finally done.
This is the cover for the print version, which will be available from lulu.com. I'll be putting the finishing touches to the Kindle version over the next few days. Stay tuned!
This is the cover for the print version, which will be available from lulu.com. I'll be putting the finishing touches to the Kindle version over the next few days. Stay tuned!
Saturday, 5 April 2014
At his funeral
As promised last week, here is a complete chapter from my upcoming novel, Beside an Open Window. I've chosen this particular chapter (chapter 8) because it works well as a stand alone story (thanks to Hypatia Pickens for pointing this out).
At the reunion park, there was a man on the
dead side and a woman with a young boy on the living
side. The man was crouched down to the
level of his son and the boy kept pressing against the divide between them as
though it might give way if he pushed hard enough. The man put his fingers against where the
boy's fingers touched the 'glass'. He
was leaving tiny smears there from the melted ice cream he had been clutching
just a few minutes earlier. “Where's the
door, daddy?” he was asking.
“There is no door, darling,” the woman said to him.
“This is where I live now,” the man said. “I can't come over to your side any more.”
“Why?” the boy asked.
“Because that's the way it is,” he replied, “that's
the way things happen sometimes.”
“Are you in heaven?” the boy asked.
“No,” said the woman, firmly.
“Sort of,” said the man, and he glared at her angrily.
Presently, the woman said, “Let's go to that
playground over there. Then you can play
whilst I talk to daddy.”
“Can you play chase with me?” the boy asked her, hopefully.
“I'll play chase with you,” said the man. “We'll run on either side of the glass, ok?”
“Can we race there?”
“Sure we can!
Are you ready? Get set...
Go!” They ran.
Of course, the man could have flown there, but that
would have been cheating.
Later, they sat on a bench that was half in, half out
of the electronic world. The woman sat
with her shoulder resting against the glass at the spot where his shoulder
pressed from the other side. She
wondered momentarily what actually was on the other side of this digital
wall and thought of a dusty corridor with wires dangling from places, then a
secret, overgrown garden with statues, then a place that looked like a garden
in heaven, where everything was green and trimmed neatly; an exclusive garden
club of some description, membership only.
She wondered about heaven, which she believed in. She wondered what her real husband
must have been thinking about her, down here, sitting with this digital
imposter, this shadow, this footprint he had left behind. She hoped he did not mind. She hoped he understood how much she needed
it. She hoped he did not feel betrayed.
Then again, the scan had been his idea in the
first place. Of course it had.
“Are you sleeping properly?” she asked the man.
“Stop fussing,” he told her. “I'm fine.”
The man was thinking to himself about things so far unspoken, about the
nature of the relationship he now had with this woman. Let's start with the words, he said to
himself. Is it appropriate to
continue to call her my wife or should I now call her my ex-wife? But an 'ex-wife' I would have separated
from... except that we are separated, really... I should see if there's a seminar on this
topic. There must be. I wonder why no-one ever asked me about it
before?
“You look like you're cold,” she said.
“I keep telling you,” he replied, “there's no
such thing as cold here.”
“I can't imagine what that's like,” she
said. “Don't you miss feeling warm?”
“Actually,” he said, with sadness, “I can't remember
what it feels like any more. Isn't that
strange? You live your whole life in
sensory dimensions you hardly even think about and then, once they're gone,
it's like they never even existed in the first place. Except when I did have them they shaped the
way I learned about the world I stood in, so it's not actually like they never
existed at all. Well. They'll work out how to do it one day. Lord knows, there's plenty of time.”
It often looked to him like nothing very much
at all had changed from her point of view.
In fact, it shocked him the degree to which she appeared to have
accepted the situation. And absorbed it.
“I still think we should get the house
converted.” She said and looked at their
boy. “Oliver needs his father. He needs to see him every day. You could work from home. If we had a seeshow in the main room it would
be like you were back at home again. You
could sit with us in the evenings.”
“We can't afford another seeshow, especially
not one that size,” the man said. “We've
talked about this before. I am at
home many evenings; it's not like Oli has to go any distance to see me when I'm
in. The immersion room will have to
suffice for now.
“In any case,” he added, “you know that's not
the way things are done.”
“So you keep telling me,” she said. “Although sometimes I think it's like you
don't want to be with us any more.”
After a pause, he told her, “You know that's
just not true. I'm only following the
standard advice. Trying to continue your
physical life after you've died as though nothing has happened isn't
healthy. It’s one of the biggest factors
associated with...” he paused again, broke eye contact, “...digital
suicide. I'd be a hypocrite if I didn't
follow my own advice, don't you think?
I'm a new being now, Cathy. I
have to move on. I have to evolve.”
She let the suicide comment pass. “And you call this so-called 'plan' of yours
evolution?” she asked him.
“No,” he replied. “I call that retribution. I call that justice.”
“He got his
picture done at school yesterday,” she told him. “I would have got his hair cut, only I forgot
it was this week the guy was coming.”
“But I like his hair like that,” the man
said. “It starts to go curly when it
grows long.”
“I don't understand why it takes them so long
to get the proofs done. In this day and
age, you'd think it'd be mailed to you before it was time to pick the kids up
in the afternoon.”
“They usually take more than one picture,” he
said. “They have to decide which one
they want to send you.”
“They don't think I can choose a good picture
of my son?”
“They don't like you to see that they can take
anything less than a perfect photograph,” he told her. “That would detract from the illusion that
they're a much better photographer than you are.”
“Oh yes of course. I see.
We were talking about it in the playground yesterday; I suppose I should
have thought of that.” She tapped the
glass absently a few times where his right hand rested against it. “Don't forget, it's parents' evening next
Thursday.”
“I know,” he said, a little impatiently. “You told me just this morning.”
“Well they're going to a lot of trouble for us,
darling. I don't want to let them down
by you forgetting.”
“If you're logged on in the school IR and you
message me,” he said, “then it's virtually impossible for me to forget.”
“You might be asleep,” she said.
“I'll give you waking rights, ok?”
“Really?”
A smile broke out across her face.
“Well, only if you want to.”
“It's no problem,” he said. “It makes sense that you have them, after
all.”
“Yes, you're right,” she said. “It makes... sense.”
“Just don't go letting Oliver use them!”
“Heh.”
They sat for a full minute in silence.
They both pretended to watch their son.
“Oh did I mention next door have got a new
car?” she said.
“Yes,” he replied. “You said it was purple.”
“That's right.
They still haven't got rid of the old one yet. I expect when I get home it'll be taking up
the space in front of our house again.
I'll have to park half a mile away, like I did last Sunday. I am a widow, you know. You'd think they'd be a bit more considerate.”
“It's hardly half a mile,” he said. “And being a widow doesn't make you
disabled.”
“It's the principle,” she told him. “What do they need with three cars anyway?”
“Have you listed mine yet? That'll create an extra space.”
“No,” she said.
“But you are going to? Soon?”
“I suppose.”
She sighed. “It just seems so
final.”
“You need to get rid of it, Cathy. It'll help you to move on.”
“Maybe I'm not ready to 'move on',” she
snapped. “Don't rush me, Stuart. I'll do it in my own time.”
“Ok, fine,” he said.
“I keep thinking about the camping holidays we
had in that car,” she said. “Oliver
keeps asking me if we're still going to go to France in the summer.”
“You should go,” he said. “I want you to. Oli needs things like that to look forward
to. But go in the Peugeot. That'll give you a chance to lay down holiday
memories with a different car.”
She sighed again and started looking at her
fingernails. “It's all so easy for you,
isn't it?” she said.
Sometimes, he wished he could smash the glass
with his fist. “Not even remotely,” he
said. He had to refrain from spitting
out the words. She heard the bitterness
and looked at him again, her own anger instantly dissolved. Her lip trembled.
“I'm sorry baby,” she said.
“At least you can go camping again,” he
reminded her.
“I know.
I know. I'm sorry. I know how difficult it is for you. I'll...” she paused, and this time it was her
who broke the eye contact, “...never forget that note you left me; never. But you know how it is; it just won't be the
same without you. We both of us feel
that way.”
Stuart thought about camping for a moment, and
it occurred to him that this was an experience which it really was impossible
to replicate in Dawn, in even the smallest respect. Sure, you could recreate all the visuals and
sounds, and those could be done down to the smallest conceivable detail if you
wanted. Trees could cast their shadows
and swish, just like in real life, and canvas could ripple and flap in virtual
wind, and the grass beneath your tent could be yellow when it was time to pack
it away. But camping was all about the
other senses: the smell of canvas, wet or dry; the feeling of grass beneath
bare feet, sandy from the beach; the smell of tinned stew cooking on the stove
and the match that was used to light it; the feeling of two glasses of wine
inside you, caught within the rays of a setting sun; the smell of Oliver when
he climbed out of the pool, dripping, and came over to be wrapped up in his
towel.
“Anyhow,” she said, “my car's too small for the
tent and everything else. I would have
to use yours.”
“You can get a smaller tent now,” he told her,
brutally. “And you won't need three
sleeping bags or pillows any more. And
you won't need three beds either.”
“It still won't fit,” she insisted.
“Fine,” he said. “Then keep my car and sell yours.”
“Maybe I'll do just that,” she said, as though
the idea had never occurred to her before.
Which he very much doubted.
“Did you hear anything yet from Michelle?” he asked. “About Rob?”
“Oh yes!” she said. “I completely forgot. He's coming home in a couple of days. And that reminds me, you said you'd ring John
Timpson about his fuel cell problem; I spoke to him yesterday and he said he
hasn't heard from you.”
“Oh yeah,” he said. “I forgot about that.”
“Will you ring him? Today, please? It makes me look stupid if you don't.”
He hesitated, then said, “Sure. But please stop telling people I'll ring them
about stuff. You've no idea how awkward
it is.”
“What do you mean?” she asked.
“The whole
receiving-a-phone-call-from-a-dead-guy thing,” he said. “People just don't know how to respond to
me. It's like ringing someone you
haven't spoken to for years and then telling them every last detail about the
meal you just ate. I get all these
polite umms and ahhs and then out come the conversation wrappers, at the
earliest possible moment. 'Well,
Stuart, it's sure good to hear from you again.' I hate it.
It's so embarrassing. Nobody
knows what to say.”
“But John needs your help!” she insisted.
“He didn't approach you about it though, did
he? He happened to mention he was having
problems and you just invited me upon him.
You know, there's nothing stopping any of these people from ringing
me if they want to. It's
still the same old number. John probably
wishes he hadn't said anything to you now about his fuel cell. Next time he sees you he'll probably cross
over to the other side of the road before you get to him. People will stop talking to you altogether if
you're not careful.”
“You don't need to be like that,” she
said. “I'm just trying to keep you in
touch with your friends.”
“I know you are,” he said. “But I'm dead now. I'm different from how I was. I'm not the same as they are any more. Maybe I should hang around with other dead
people a bit more. They understand what
it's like, Cathy; that's all I'm saying.”
“That's not what you said when we first
activated you,” she said
“Because I wasn't used to being dead then,” he
told her. “I was scared and I didn't want
things to change.”
“How things have changed since then,” she said.
“So did they look at your application yet?” she asked
him. “They must have looked at it by
now.”
“I haven't heard anything,” he said.
“You didn't chase them?”
“It's too early to chase them.”
“It's been four months,” she said. “How is that too early?”
“These things take time,” he replied. “We have the insurance pay-out for now. And selling the car will help.”
“The insurance money will last for another year
at most,” she said. “I need to know that
I’m going to be able to feed and clothe our child beyond a year from
now. It’s all right for you: you don’t
need to eat any more.”
“The application will be successful,” he
reassured her. “I used to process these
things myself, remember? I know the
criteria.”
She looked at him helplessly, their noses just
inches apart. “But what if they find
out?” she whispered. “What if they find
out about what you want to do?”
“They won’t find out,” he told her. “Not if we
do this right. In any case, it’s not
like it’s illegal activity.”
“How is it not illegal?” she whispered. “How?”
“Brain scans have no human rights,” he told
her, flatly. “So they have no human
rights to be violated.”
“It’s criminal!” she hissed. “And you know it!”
“It is nothing of the sort,” he replied,
irritated, bitter. “What happened to
me was criminal. The fact that
bastard went unpunished is criminal.”
A tear ran down her cheek. “This is so unlike you,” she whispered. “Why did you have to go and get like this?”
“I got murdered,” he told her. “Things like that cause a man to look at
things differently.”
It would soon be two months since he had finally
approached his induction mentor and asked to be switched off. He regretted it now, regretted the outburst,
regretted the things he had said in desperation, just so that they knew there
was not one sliver of doubt in his mind.
Because he knew what the criteria were: he knew they would insist on certainty.
He had not told Cathy in advance. He had not said goodbye to Oliver. He had written them notes and arranged for
them to be sent automatically. A part of
him at the time had assumed that Cathy would be relieved. I am worth only thirteen people, he
had written to her. He knew that was
hardly her fault (though a part of him blamed her, nonetheless). It was not up to her to determine others'
retrospective evaluation of his life and its accomplishments. But she had to understand how that had made
him feel. It had destroyed him. It had taken everything he thought had from him.
And it had caused him to think. What was his footprint? What had his contribution been? What had he left behind?
His mentor had looked deeply unhappy at the
news – more so than Stuart had expected.
At first, he had thought it was the PR implications. He had noted the mentor's youth and decided
it was probably anxiety about how he would handle the inevitable media
attention. But there were long and
awkward silences which just did not seem to fit that hypothesis.
“Listen, Stuart...” he had said eventually,
appearing to wrestle each word out into the open. “If things are really that bad... maybe this
would make a difference, I don't know...”
The mentor took a deep breath.
“Oh, what the hell. Look. There's something you should probably know...
something you haven't been told about.”
“About what?” he had asked him.
“About how you died.”
“They told me I died of a brain haemorrhage,”
Stuart said.
“Yes, you did,” his mentor replied. “But it's not quite as simple as that.”
“Well anyway,” he said, “I should go.”
“Already?” she asked. “It’s only been an hour. It took us ninety minutes to get here in the
traffic.”
“Not right now, then,” he said, “but I will
have to go soon.”
“Why?
Where do you have to go? You’re dead for Christ’s sake! Are you telling me you have some sort of schedule to keep to?”
“I have a meeting with someone,” he told her.
“Another meeting? To do what?!”
He started to say something, then paused and
said, “Look, don’t be like this.”
“You know what?” she said, her voice breaking,
“they know what they’re talking about, the Christians. You're soulless, I swear to God. It's like every God-damned thing has to
revolve around you and nobody else.”
“Don’t cry baby,” he said, reaching out to
touch the glass in front of her cheek.
But she pulled away from him, sharply, wiped
her eyes. “You’re not my husband!” she
cried. “You’re a digital… thing!
You have no soul! I want my
husband back! I want... my husband...
back!” She started to sob, but then she
pulled herself up straight, stood up, took a deep breath; she called Oliver
over. Whilst he came, she rubbed her
eyes once more. She looked at him,
stared at him. “You're not my husband,”
she said. And she took her son by the
hand and marched away from the glass.
He watched his son grow more distant. He watched how he struggled to keep up with
Cathy as they cut across the grass. The
boy had to trot to keep pace; at the same time, he kept trying to look back at
his father. Stuart could see his
distress even now. He remembered how
Oliver used to get upset if goodbyes were not done in a certain way. On those odd occasions when he and Cathy had
rowed in the morning, this was how she would march him off to school, and he
would cry all the way there because he had not kissed his father goodbye the
way he was used to. He watched as Oliver
took another look back and then fell, because he wasn't looking where he was
going. Cathy stopped, waited for him to
get up, shouted at their boy; but he couldn't hear the words she used. It was unusual for her to shout at him.
When they were out of sight, he teleported
home, hand-wrote a lengthy apology and stuck it to the seeshow so she would see
it when she got back. His fingers still
touching the back of the letter, he looked through the glass into the IR in
their house, peered through the open doorway and into the living room
beyond. He saw the arm chair he used to
sit in. He saw Oliver's toys on the
floor. It made him feel oddly
voyeuristic, looking at these things he could never again touch. More than anything else, he longed to be back
there, back in that chair with Oliver at his feet running toy cars into his
toes.
He wondered how it would be to look through
from here when Cathy got a new boyfriend.
He wondered how long it would be before they started keeping the door to
the IR shut as a matter of routine.
Tracking people in Dawn was rarely easy if you weren't
the police or a private detective. The
principle of anonymity still applied, as it had done ever since the very early
days, before even voice had been brought to the metaverse. There were some who looked upon their death
as an ideal excuse for starting again; it was possible to begin your afterlife
with a completely new identity if you wanted.
And then there were the alt switchers, because even the dead could have
more than one account in Dawn.
Stuart had spent the best part of a month in
search of the man he was about to meet.
The month before that had been spent in study and in research and in
thought, and this man's metaverse name had been revealed to him at the end of
it. The month before that had been born
in despair and depression, and had ended in anger and determination. And the month before that had started with
denial, and fear, and grief.
Stuart teleported over to Floating Point's
skybox five minutes early. He was
greeted there by a man who looked cowed and sounded somehow tired.
“I got your message, yes,” he confirmed when
Stuart arrived. “How exactly can I help
you?”
“My name is Stuart Willis,” he told him. “Inworld, when I was alive, I went by the
name of Lexington Greene. You and I have
something in common, Mr Point: we were both killed by Jason Harlan.”
And grief. The
why and the how had not mattered at first.
Just coming to terms with the cold hard fact of it all being over had
been enough for Lexington Greene, and the irony of this had not been lost on
him. 'Think of this less as an ending
and more as a beginning,' had been one of his favourite phrases of
consolation, wisely offered over many iterations of the same meeting. Stuart was used to the look of disorientation
and loss, and at the same time he had grown tired of it. How bad can it be not to smell, not to
taste, not to feel? he would ask himself, reducing everything in his
thinking to just input and output; to data streams; to variables; to
numbers. Now that it was gone, the
connectedness to the world that these 'channels' had provided (and to the
things within which he had loved) was more visible than it had ever been to him
during life. The feel of the sun...
gone. The touch of his son's hand...
gone. The smell of his wife's hair...
gone. Even the sensation of the air upon
his face as he walked... all gone; all gone, forever.
The jury was still out on
the etiquette of attending one's own funeral in virtual form. On the one hand, it could be viewed as a rite
of passage for the deceased, a closure process that helped transition from one
world to the next. On the other, it
could be viewed as an intrusion on other people's grief, an imposition on the mourners'
closure process. Of course, newly
activated avatars nearly always chose to go if the funeral had yet to happen by
the day that they got switched on (they wanted to see what people said about
them). Since activation dates were often
set down in writing by the deceased at the time of scan, that meant it was
usually incumbent upon reluctant relatives, therefore, to get the funeral
organised as quickly as possible – before there was a digital guest to have to
consider – and then to tell the deceased when they got switched on that there
hadn't been any other dates available.
Stuart had attended his funeral and it had been
a mistake for him to do so. He had gone
so that he could grieve for his passing with his family and friends; he had
left distraught at how few people had turned up. Thirteen.
Thirteen. His wife, his
son, his father, his aunt and her new husband, Michelle and Rob, a couple of
his colleagues, his line manager, the head teacher at Oliver's school, and two
of Cathy's work friends. That was
it. Even his own sister had failed to
make the 300 mile trip from Glasgow to say goodbye to the brother she had used
to jump on on Saturday mornings.
I am worth only thirteen people, he had thought, from his corner of the crematorium
chapel; one of three digital frames on the wall kept for metaversian intrusions
such as his. Even the other frames were
empty.
© 2014 Huckleberry Hax
Sunday, 30 March 2014
More metaverse and Death
Part two: The approach of digital humans
Last week, I considered what the technical challenges are to
creating digital scans of human brains in order that deceased people might be
‘resurrected’ in a virtual world – an idea which forms the setting for my
upcoming novel, Beside an Open Window. But what would existence be like for these
resurrected brains? What would they do? What would it be like to live in a
digital world and only be able to look back into the real one, as though
through a window?
In Beside an Open
Window, the metaverse of sixty years from now is envisaged as a wholly
photorealistic environment that looks indistinguishable from the real
world. Given the pace of computer
graphics development over the last few years, this part of the proposition
seems very uncontroversial; indeed, the gold-rush on virtual reality technology
that appears to be in play right now – with Facebook the latest large company
to jump on this particular bandwagon in its acquisition of the Oculus Rift –
would suggest that visual immersion is considered the new holy grail of online
interaction.
All well and good if you’re a flesh-and-blood human only looking
in on a virtual world, but if that world is the only thing that exists for you
then you’re going to need more than just visual stimulation in order to feel anything
approaching complete. As I mentioned
previously, our brains receive input from the external and internal world far
more complex than the notion of ‘five senses’ would suggest. We might consider the notion of ‘touch’ to be
straightforward, for example, but is not the experience of sensing temperature
through our skin qualitatively different from the sensation of sensing a
surface to see if it is rough or smooth?
Also, how would you describe sensations such as a full stomach or a
headache in such terms?
In Beside an Open
Window, digital humans (I read a fascinating article recently by GeorgeDvorsky, in which he discusses futurist Robin Hanson’s thinking on the subject;
Hanson refers to digital humans as brain emulations, or ‘ems’) can see and
hear, they can feel surface texture and pressure, and they have the sense of
proprioception that enables them to move about in a co-ordinated fashion
(that’s the sense that enabled you to detect when your finger was almost at
your nose in last week’s article). They
have no sense of taste or smell, however – eating and drinking is not possible
– and are unable to sense temperature.
They also have no internal senses so they can no longer feel any sort of
internal discomfort such as indigestion or muscle fatigue, nor internal
pleasure such as feeling (mildly) drunk or the sensation of orgasm.
This might seem like a small price to pay for an
indefinitely extended existence, but it’s important to consider just how
fundamental these sensations are to the experience of being human. Such activities as eating, drinking and
having sex might ultimately only occupy a small portion of our total existence time,
but our internal sensations are constantly with us and form a huge part of our
mental state on a moment-by-moment basis.
What would anxiety feel like, for example, without a rapidly beating
heart or a knot in the stomach? What
would relaxation feel like without that sense of your body being in a state of
comfortable balance? How would you know
what mood you were in without these associated physiological sensations learned
over a lifetime of real-life existence?
Would you even experience different moods any more? The approach I take in Beside an Open Window is to assume that the brain projects a
‘phantom body’ in the same way that amputees experience phantom limbs, that
specific neural outputs to the body have become so conditioned to the associated
neural inputs that the outputs now trigger the inputs even though there is no
longer a body attached to them (in other words, the mental component of anxiety
is so commonly associated with the physiological component that the one
triggers the neural inputs of the other).
This is pure speculation on my part and might not be even remotely
true. Life in the total absence of
internal sensation might ultimately be completely intolerable.
But the brain is uniquely flexible in its ability to adapt
to new environments and might just surprise us.
Assuming we are able to adapt in this way, then, what might we do in the
metaverse once we’re there posthumously and, in particular, how would we make
money? Whilst life in the metaverse
might be cheaper than in the real world, with no food and utility costs to
cover, that’s not to say there won’t be any costs at all. You’ll still have a carbon footprint that
will need to be paid for and the price of virtual land might get pushed up if everyone
wants the mansion of their dreams to live in.
You might also have dependents back in the real world to look after.
Whatever metaversian job opportunities exist, there will
also be plenty of jobs that deceased, digital humans (DDHs) could be capable of
back in the real world. There’s no
reason why secretaries and personal assistants couldn’t be DDHs; programmers
could be DDHs, lawyers and accountants could be DDHs, IT support could be DDHs
(no great change there). Elements of
teaching and medicine could be carried out by DDHs. Sales and customer service departments for
large corporations – the future equivalent of today’s call centres – could be
staffed in their entirety by DDHs. Only
the jobs that require people to go outside and manipulate physical things –
tradespeople, nurses, front line police, etc – would be safe from DDH
competition, though their managers might not be. And you thought automation and immigration
were the biggest threat to your jobs.
DDHs won’t only be attractive to real life employers because
they’ll cost less, they’ll also be attractive because they’ll be faster. There’s no reason why an emulated brain
couldn’t be sped up significantly for all or part of its existence. Programmers, for example, could be run at
many times their normal speed so that more work can be done in less time – an
attractive option for the programmers themselves if they can switch in and out of
speeded up time without noticing anything different themselves (an arrangement
could be made, for example, where workers turn up on the hour, do what feels to
them like a full day’s work and then finish an hour later in real time with
more or less a whole twenty-four hours off before their next shift starts). Or you could take a bunch of world-class
scientists, speed them up a thousand times and then give them fifty years in a
sealed-up metaverse to solve humanity’s problems.
The question is likely to arise, naturally, on what sort of
rights DDHs have. Would they be
recognised as living in their own right?
Would they get the vote in real world elections (would they have their
own representatives in government)?
Would the intentional deletion of a brain scan be regarded in the same
manner as murder? Could two DDHs get
married? Could a DDH get married to a
living human being? If a person is
married to someone in real life before they die, is it the assumption that they
remain married once activated as a DDH?
What if the brain scan was created before the couple met?
If someone dies because of an accident they caused and in
which other people also died, would some sort of sentencing need to be carried
out against the DDH on its activation, even though its scan was created before
the incident (potentially, years before)?
What would a metaverse prison look like?
If a murderer was sentenced to life imprisonment in real life, could
there also be a digital life component to their sentence so that a thousand
years really does mean a thousand years?
There might be the temptation to activate your brain scan in
the metaverse before you die in real life
and put it to work whilst you enjoy the qualities of the physical world – they won’t,
after all, be there for you forever. Would
this make DDHs slaves? Would there be
legislation against such activity? More
generally, how would people get along with the digital replicas of themselves? Which of the two of you would be regarded as
the most authentic ‘you’? Would you both
be partnered to the same person if the copy was made and activated whilst you
were in a relationship?
What if you someone activated two copies of their brain in
the metaverse instead of one? Or three
copies. Or a hundred. What if someone made an illegal copy of a
scan and put it to use in some way?
As you can see, the issues are endless; there are many more beyond
this mere handful and I am fascinated by them all… which is why I wrote Beside an Open Window. To see which of them I explore and to
what end you will, of course, have to read the novel. Next weekend, however, as a precursor to the
release of Beside an Open Window later
in April, I’ll be publishing here a complete chapter from the book that works
as a stand-alone short story and which considers digital life from the
perspective of a recently deceased husband and father, and also ponders what it
would be like to attend your own funeral.
Sunday, 23 March 2014
Metaverse and Death
Part one: Will copies of human beings one day end up in the
metaverse?
In my upcoming novel, Beside
an Open Window, human beings make regular digital scans of their brains
while alive so that these can be activated in a vast online world once they die.
The book is set sixty years into the future and ‘dead residents’ interact in
this world with living residents who access it in much the same way as we do
Second Life® today.
Glass brain, the latest output from Philip Rosedale
The idea of creating brain scans is one I’ve been thinking
about for several years. Some time before SL existed, I remember wondering if
it might one day be possible to create ‘archived’ copies of brains on
computers. It was less an issue to me at the time that we might do so in order
to extend in some way human existence and much more that we might do this to prevent
the loss of people’s thoughts and memories. I think this had a lot to do with
the death of my father, who I missed profoundly and whose thinking and
experiences I considered a genuine loss to his fields of interest.
When I got into SL, the idea that such archives might connect
to the metaverse – and thereby have natural movement in a virtual world – was very
compelling to me. I hadn’t put a great deal of thought previously into how
digital brains might interact with the world, oscillating broadly between a
very basic ‘brain-in-a-jar’ scenario where an archive was switched on
periodically for electronic consultation and the full-blown (and, frankly,
unlikely) ‘holodeck’ notion promoted in Star Trek. Somewhere in the middle of
all that I’d also thought fleetingly about uploading brain scans to robots – an
idea I later discovered was explored by Janet Asimov in her novel, ‘Mind
Transfer’.
In a virtual world, however, a brain could roam about with
freedom in a virtual body and consume only a fraction of the energy and costs
of any robot or far-fetched holodeck idea.
Could such a thing, then, actually be possible? There are a
few conditions which would have to be met. Firstly, it would have to be
possible to scan a brain at a resolution able to identify individual molecules.
Memory is stored via pathways through different neurons, the route that an
individual signal takes through them being determined by the quantities of
neurotransmitter chemicals passing across the tiny gap between one neuron and the
next – the synapse – and the receptiveness of the receiving neurons to these
chemicals. Only by knowing the exact state of all of this could we create a
scan that was in any way functional. No such technology exists today, although
the resolution of brain scanning is continually improving. By interesting
coincidence, one recent innovation allowing users to scan and view their brain
activity in real-time – ‘Glass Brain’ – has been co-developed by none other
than SL’s own Philip Rosedale.
Secondly, we would need gigantic computer memory capacity
for storing brain scans. One estimate I read recently was that there are
something approaching 500 trillion trillion atoms in a human brain. Assuming
this is true and assuming we assigned one byte of computer memory to the
description of each atom, my back-of-an-envelope calculations indicate we would
need something in the region of 50 trillion terabytes to store all this. Applying
Moore’s Law to computer memory growth – starting at 8 gigabytes for a mid-price
desktop system today – we might predict that the computers of 2064 will have
memories in the region of 250,000 terabytes, which is rather a long way short
of what we’d need. Add another sixty years of Moore’s Law progression, however,
and you’re pretty much there.
Thirdly, we’d need to be able to bring these scans to life:
their data would have to mean something to the computers they’re loaded into,
just like a jpeg means something and an MP3 means something else. We’d need to
understand the precise function of neurons and brain chemistry in order for
this to happen, such that each neuron’s data description can be turned into a
fully emulated brain cell once the model’s switched on and digital blood
applied. We’d need to know how visual input is encoded in the eye and sent down
the optic nerve if we want our dead people to see in the metaverse and how
auditory input is encoded in the cochlea if we want them to hear. Sensory
input, in fact, would be a huge area for further research: contrary to popular
belief, the brain receives input far more complex than just ‘the five senses’. For
example, shut your eyes and hold your hand at arm’s length, then move it
towards your nose but stop just short of touching it: how did you know where your
hand was in terms of what sight, sound, smell, taste or touch were telling you?
Even supposing we work out how to do all these things,
however, there could still be another enormous barrier to emulating the mind:
consciousness, without which a human brain is nothing. In Beside an Open Window the theory of consciousness as emergent
behaviour is assumed. Emergent behaviours are apparently organised behaviours
that emerge from the more simple behaviours of large collections of smaller organisms.
The seemingly simultaneous movements of flocks of birds or shoals of fish –
movements which give the impression of an organised whole rather than lots of
disorganised individual components – are examples of this. In science fiction,
the idea of higher order behaviours arising out of the more mundane work of
component individuals is something that’s most famously been explored in Star
Trek through the notion of the ‘hive mind’ of The Borg. Human consciousness as
an emergent behaviour of neurons – ultimately, then, an illusion of sorts – is something
that ‘just happens’… but would it happen also in a digitally modelled brain?
That’s the sort of thing we can’t possible know until we actually try it out.
Supposing, then, that consciousness does happen, what would
existence be like for these resurrected brains? What would they do? What would
it be like to live in a digital world and only be able to look back into the
real one, as though through a window? I’ll examine some of these issues in part
two of this article next weekend.
Tuesday, 18 March 2014
Coming soon: Beside an Open Window
As I announced last week, I'll soon be publishing a new novel, Beside an Open Window. This is a science fiction novel set sixty years into the future which takes place in a metaverse not entirely dissimilar to Second Life, except one of the key groups of residents in this world are people who have died in real life and uploaded to it a digital copy of their brain.
I say new; in fact, I wrote this book originally in 2009. Unlike my NaNoWriMo Second Life titles (which are written in a month), Beside an Open Window took me the best part of six months. I also read it through completely in SL - twice - to get listener feedback. I think Beside an Open Window is the best thing I've ever written - which I say not to boast, but by means of an explanation as to why I haven't so far published it online. My original plan was to get it published 'traditionally'. Well, I sent it to a couple of agents and you can probably guess what happened.
So I let it gather virtual dust, always meaning to get around to send it off to someone new and not quite achieving this (ie, not achieving it at all). I decided to read it through again in January (whilst I waited for my draft copy of 'AFK, Indefinitely' to arrive). Not having looked at it for the best part of three years turned me into a far more critical reader of my own work than I would otherwise have managed and I decided it needed a major edit. The first half of the book in particular contained some really lazy passages and I spent about a fortnight cutting these down and rewriting them, in the end reducing the novel length by over a thousand words. I'm now really happy with the final version.
A lot has happened in the publishing world since 2009, not least of which is the rise of the Kindle ebook. I've decided, therefore, that I'm going to publish BAOW exclusively to Kindle in the first instance, taking advantage of their 'KDP Select' programme. This will mean a higher price than my normal Kindle books ($2.99 is the minimum price on KDP Select), but will also enable me to give it away for free for up to five days. I'll use up the first couple of those days when I announce publication and keep the rest back for future promotions. If you're a Kindle owner, therefore (and that includes all Android and Apple tablet users, who can download a free Kindle app for their device), keep an eye out for the publication date if you would like a free copy of the novel.
To warm you up (and whilst I get to work actually preparing the Kindle version), I'll be publishing a couple of articles over the next couple of weeks exploring some of the issues raised by the novel. 'Metaverse and Death' will be the first of these, which I'll publish this coming weekend. Enjoy!
Video above by Tom Scott.
I say new; in fact, I wrote this book originally in 2009. Unlike my NaNoWriMo Second Life titles (which are written in a month), Beside an Open Window took me the best part of six months. I also read it through completely in SL - twice - to get listener feedback. I think Beside an Open Window is the best thing I've ever written - which I say not to boast, but by means of an explanation as to why I haven't so far published it online. My original plan was to get it published 'traditionally'. Well, I sent it to a couple of agents and you can probably guess what happened.
So I let it gather virtual dust, always meaning to get around to send it off to someone new and not quite achieving this (ie, not achieving it at all). I decided to read it through again in January (whilst I waited for my draft copy of 'AFK, Indefinitely' to arrive). Not having looked at it for the best part of three years turned me into a far more critical reader of my own work than I would otherwise have managed and I decided it needed a major edit. The first half of the book in particular contained some really lazy passages and I spent about a fortnight cutting these down and rewriting them, in the end reducing the novel length by over a thousand words. I'm now really happy with the final version.
A lot has happened in the publishing world since 2009, not least of which is the rise of the Kindle ebook. I've decided, therefore, that I'm going to publish BAOW exclusively to Kindle in the first instance, taking advantage of their 'KDP Select' programme. This will mean a higher price than my normal Kindle books ($2.99 is the minimum price on KDP Select), but will also enable me to give it away for free for up to five days. I'll use up the first couple of those days when I announce publication and keep the rest back for future promotions. If you're a Kindle owner, therefore (and that includes all Android and Apple tablet users, who can download a free Kindle app for their device), keep an eye out for the publication date if you would like a free copy of the novel.
To warm you up (and whilst I get to work actually preparing the Kindle version), I'll be publishing a couple of articles over the next couple of weeks exploring some of the issues raised by the novel. 'Metaverse and Death' will be the first of these, which I'll publish this coming weekend. Enjoy!
Video above by Tom Scott.
Wednesday, 12 March 2014
Ticking off the To-Dos
I'm working my way gradually through my list of 2014 stuff to get done from this post.
'AFK, Indefinitely' is now released and has had its first - five star - review on Amazon.com (which I'm very grateful for).
I also launched (quietly) last month my new website for my 'HHax' range of 60s and 70s furniture and electricals, which you can visit via the new 'HHax' tab in the menu bar of this page. In addition to product-related posts, I plan on flooding this with associated memorabilia (advertisements, brochures, photographs, packaging, and so on), the principle reason for this being that I just plain adore it all and have been looking for an excuse to post stuff like this for ages.
Thank you so much to the 300 plus readers of my "Second life of Second Life" article. I wasn't certain how many readers a new SL article would attract now that AVENUE is on its hiatus, so this was a very pleasant surprise indeed.
I'll soon be turning my attention back to 'SIM', the novella I mentioned in January. In the meantime, however, I've decided to release finally online my novel 'Beside an Open Window', which I wrote in 2009. I'll post more news on this shortly.





